![]() ![]() Doom 2's Getting Too Tense also has a similar style, and is written in the same key with the flattened 5th. The song is similar to Bobby Prince's earlier arrangement of Mars, the Bringer of War for Commander Keen V: The Armageddon Machine (DOS). FormGen later developed two sequel episodes, Return to Danger and Ultimate Challenge, each of which feature Blazkowicz as he fights through another Nazi. The song stays in the key of B diminished, but plays around with other notes in the scale, and sometimes plays a major third. After four measures of this, the lead baritone synth starts to play, with a calliope ascending and descending chromatically in the background, giving a sort of circus-esque theme to it, while also adding suspense and horror to the song. After two more measures, the trombones repeat, but now with drums joining the mix. ![]() Another trombone join after two measures playing a flattened fifth. ![]() The song starts off with a trombone playing a series of B notes. missions for Spear of Destiny, titled Return to Danger and Ultimate Challenge were. Though it might sound like the song is in a 12/8 time signature, it was actually written in 4/4 with many triplets thrown in. In game terms, Spear of Destiny is a prequel to Wolfenstein 3D. The song plays at 123 BPM and is in the key of B minor, though it flattens the 5th for a dimished chord.
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